Spider-Man: Homecoming
Starring Tom Holland
Directed by Jon Watts
Directed by Jon Watts
U.S. Release: 7 Jul 2017
Preface
I anticipate that each Review will include at least 2 posts each. The purpose of the first post will be to identify the 'claims' of the film, that is to say, the parts I think are liberal in nature and why. These claims will ultimately be the things which I address in the Review. I will to identify the claims by first, including (whenever I can) in my first post of the Review the clip containing the scene from the film which contains the claim I want to address; second, summarizing the events of the scene; then third, making a list of "Points to Remember." The first post is not necessarily designed to make any argument, only to point out relevant information which I intend to address in the subsequent posts. I think that providing the actual clip whenever possible is important for two reasons: 1) To avoid any accusation that I take any claim out of context, 2) For readers' reference, so that my readers may see the material for themselves rather than solely depending on what I say about it.
The numbers of other posts for each Review I foresee varying in number. The general idea will be that each successive post will address a selection of the claims which fall under a single theme or issue. Some Reviews may address many themes, while others may only address a single theme. In any case, I will try to be as clear as possible so that the utilization of multiple posts to complete a single Review will not be confusing, especially as I tend to work on and post updates on multiple projects at once. To clarify, the list of liberal topics I choose to address in a Review may not be comprehensive.
Introduction
The first Discussion will address the motivations of the film's villain Vulture (played by Michael Keaton), which have been the source of much praise among Internet critics and reviewers, leading many to agree, as one website put it, that Homecoming's Vulture was "perhaps the best villain in the entirety of comic book movies, up there with Tom Hiddleston's Loki or Heath Ledger's Joker."
One writer writes that "[Vulture is] a complex villain with understandable motivations[.]"
Another writer offers that he is "a villain with a point worth considering and a motivation you couldn’t really question."
Another writer writes that "Toomes is compelling and even relatable to a degree because in his mind, he’s the hero of his own story, even though he also understands he’s a criminal."
Another writer described that Toomes was "[written and performed] to be understood, if not necessarily rooted for."
Another writer observes that "[in] another context, he might have been the lead character in a prestige cable drama about an antihero dabbling in criminal activity."
Yet another writer says "you don’t have to agree with his methods, but you at least understand where he’s coming from."
One other author compares Toomes to Batman, observing that "Keaton knows how to play regular guy, hero and villain all wrapped up in one talented package. As Homecoming shows, he's expertly able to switch between all three on a dime, surely aided by his experience as Bruce Wayne and, more specifically, Batman, a vigilante with a strict moral code who made a choice to fight the darkness when his parents were gunned down. Batman of all people knows how easy it is to give in to the allure of criminality when everything seems lost [...] and yet he uses his own demons — and extensive resources — to fight on the right side of the law."
The second Discussion will discuss the proposed timeline of Spider-Man: Homecoming (particularly the prologue) within the MCU, and how certain aspects of these new events within the timeline of the movies released up until now have retrospective, character-damaging ramifications on the Tony Stark character. This is important because Tony Stark is one of the flagship characters for the MCU, and therefore for Marvel, and therefore for Disney, which is one of the largest media outlets on earth. He is also is only capitalist on the team. Huge numbers of people (especially young people) watch and pay attention to the adventures of Tony Stark through these films. I will cite all of the films in which Tony Stark has starred, paying special attention to the depiction of two types of relationships which Tony has: 1) with the federal government (and federal agencies), and 2) with capitalism and other capitalists. Then I will show how the events of Spider-Man: Homecoming alters the character thus far shown us.
The content of the second Discussion may at first seem merely the hair-splitting musings of a comic-book geek rushing to the defense of one of his favorite childhood characters. This is not the case. On the contrary, I assure you, this analysis will come full circle back to Hollywood's depiction of capitalism as personified in the character of Tony Stark, the only capitalist on the Avengers. And I will make the case that Hollywood, through Spider-Man: Homecoming, actually uses Tony Stark as the sacrificial bull to smear capitalism for the public's liberal programming.
CLIPS & POINTS FROM THE FILM
Clip#1 (containing Scene#1 and Scene#2)
No spoilers for Spider-Man: Homecoming.
Clip#1 (containing Scene#1 and Scene#2)
Clip#1, Scene#1: Executive Order
Overview
Clip#1, Scene#1: Executive Order
Points to Remember
Subpoint#1: Toomes' original contract is with the City of New York, not with another private party.
Clip#1, Scene#2: Big Business, Big Government
Overview
Overview
Following the opening credits, "eight years later" is also revealed to be when Peter Parker to traveling to Leipzig, Germany to help Team Iron Man at the airport during Captain America: Civil War.
Clip#1, Scene#2: Big Business, Big Government
Points to Remember
Points to Remember
Main Point #2: It turns out that the "qualified personnel" escorted by the woman in the long coat were actually employees of Stark Industries. The man in the hard hat and suit (who Toomes punched) was likely the foreman of the Stark Industries crew. So it should be clarified that the work contracted to Toomes' outfit was taken over by Stark Industries by wielding DODC (that is, federal) power.
Subpoint#2: The creation of the DODC and the shutting down of Toomes' enterprise occurred eight years before the events of Captain America: Civil War. This Point is the basis for Part 2 of this Review, and will be explored in depth in its own post.
Clip#2: Correction, Just Big Business and Capitalism
Clip#2: Correction, Just Big Business and Capitalism
Overview
Clip#2: Correction, Just Big Business
Points to Remember
Main Point#3: Toomes is angry at Tony Stark (a.k.a., the rich) and 'the system' that allows the rich to exploit the poor (a.k.a., typical Left description of capitalism). Note the complete absence of Toomes' anger toward the federal government.